My future artistic practice focuses on expanding my visual language through engagement with diverse cultural environments, traditional craft practices, and collaborative learning. Through travel, observation, and participation in different artistic communities, I aim to understand how artistic knowledge is shaped by place, culture, and shared histories.

I am interested in studying material-driven traditions such as goat-hair artistry, Mughal pattern systems, or Spanish geometric art forms related to mandala structures. By working closely with artisans and participating in workshops, I hope to explore historical craftsmanship, surface textures, and symbolic visual traditions embedded within regional craft practices.

Alongside this research-based exploration, I plan to experiment with sustainable materials and processes. I am interested in understanding how traditional techniques and community knowledge can be reinterpreted within contemporary artistic practice while maintaining respect for their cultural origins.

I am also collaborating with a well-known South Indian film artist and a fashion designer within my family to explore costume and jewellery design using sustainable materials such as reused plastic, bamboo, and banana fibre. Through this collaboration, I hope to eventually develop a fashion and costume label that brings together art, craft traditions, and environmentally conscious design.

My long-term goal is to create work that bridges traditional knowledge and contemporary visual culture, while promoting sustainability, cultural dialogue, and material experimentation in art and design.